The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent--from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war. It is an aching love story and a decisive remonstration, a story told in a whisper, in a shout, through unsentimental tears and sometimes with a bitter laugh. Each of its characters is indelibly, tenderly rendered. Its heroes are people who have been broken by the world they live in and then rescued, patched together by acts of love--and by hope. The tale begins with Anjum--who used to be Aftab--unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her--including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo's landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs' Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi. As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page the miracle of Arundhati Roy's storytelling gifts.
4 3 2 1
by Paul Auster
Call Number: PS3551.U77 A615 2017 JPL 3rd Floor
Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson's pleasures and ache from each Ferguson's pains, as the mortal plot of each Ferguson's life rushes on. As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.
by Alain Mabanckou; Helen Stevenson (Translator)
Call Number: PQ3989.2.M217 P4813 2017 JPL New Books Shelf
It's not easy being Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko. There's that long name of his for a start, which means, "Let us thank God, the black Moses is born on the lands of the ancestors." Most people just call him Moses. Then there's the orphanage where he lives, run by a malicious political stooge, Dieudonn#65533; Ngoulmoumako, and where he's terrorized by two fellow orphans?the twins Songi-Songi and Tala-Tala. But after Moses exacts revenge on the twins by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a funny, moving, larger-than-life tale that chronicles Moses's ultimately tragic journey through the Pointe-Noire underworld and the politically repressive world of Congo-Brazzaville in the 1970s and 80s. Mabanckou's vivid portrayal of Moses's mental collapse echoes the work of Hugo, Dickens, and Brian DePalma's Scarface, confirming Mabanckou's status as one of our great storytellers.
by Roxane Gay
Call Number: PS3607.A985725 A6 2017 JPL 3rd Floor
The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister's marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Gay delivers a wry, beautiful, haunting vision of modern America reminiscent of Merritt Tierce, Jamie Quatro, and Miranda July.
Huck Out West
by Robert Coover
Call Number: PS3553.O633 H83 2017 JPL 3rd Floor
At the end of Mark Twain's Huckleberry Finn, on the eve of the Civil War, Huck and Tom Sawyer decide to escape "sivilization" and "light out for the Territory." In Robert Coover's Huck Out West, also "wrote by Huck," the boys do just that, riding for the famous but short-lived Pony Express, then working as scouts for both sides in the war.They are suddenly separated when Tom decides he'd rather own civilization than leave it, returning east with his new wife, Becky Thatcher, to learn the law from her father. Huck, abandoned and "dreadful lonely," hires himself out to "whosoever." He rides shotgun on coaches, wrangles horses on a Chisholm Trail cattle drive, joins a gang of bandits, guides wagon trains, gets dragged into U.S. Army massacres, suffers a series of romantic and barroom misadventures.He is eventually drawn into a Lakota tribe by a young brave, Eeteh, an inventive teller of Coyote tales who "was having about the same kind of trouble with his tribe as I was having with mine." There is an army colonel who wants to hang Huck and destroy Eeteh's tribe, so they're both on the run, finding themselves ultimately in the Black Hills just ahead of the 1876 Gold Rush.This period, from the middle of the Civil War to the centennial year of 1876, is probably the most formative era of the nation's history. In the West, it is a time of grand adventure, but also one of greed, religious insanity, mass slaughter, virulent hatreds, widespread poverty and ignorance, ruthless military and civilian leadership, huge disparities of wealth. Only Huck's sympathetic and gently comical voice can make it somehow bearable.
Lillian Boxfish Takes a Walk
by Kathleen Rooney
Call Number: PS3618.O676 L55 2017 JPL 3rd Floor
"In my reckless and undiscouraged youth,"Lillian Boxfish writes, "I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street..." She took 1930s New York by storm, working her way up writing copy for R.H. Macy's to become the highest paid advertising woman in the country. It was a job that, she says, "in some ways saved my life, and in other ways ruined it." Now it's the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It's chilly enough out for her mink coat and Manhattan is grittier now--her son keeps warning her about a subway vigilante on the prowl--but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed--and has not. A love letter to city life in all its guts and grandeur,Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. Lillian figures she might as well take her time. For now, after all, the night is still young.
Jules Epstein, a man whose drive, avidity, and outsized personality have, for sixty-eight years, been a force to be reckoned with, is undergoing a metamorphosis. In the wake of his parents' deaths, his divorce from his wife of more than thirty years, and his retirement from the New York legal firm where he was a partner, he's felt an irresistible need to give away his possessions, alarming his children and perplexing the executor of his estate. With the last of his wealth, he travels to Israel, with a nebulous plan to do something to honor his parents. In Tel Aviv, he is sidetracked by a charismatic American rabbi planning a reunion for the descendants of King David who insists that Epstein is part of that storied dynastic line. He also meets the rabbi's beautiful daughter who convinces Epstein to become involved in her own project--a film about the life of David being shot in the desert--with life-changing consequences. But Epstein isn't the only seeker embarking on a metaphysical journey that dissolves his sense of self, place, and history. Leaving her family in Brooklyn, a young, well-known novelist arrives at the Tel Aviv Hilton where she has stayed every year since birth. Troubled by writer's block and a failing marriage, she hopes that the hotel can unlock a dimension of reality--and her own perception of life--that has been closed off to her. But when she meets a retired literature professor who proposes a project she can't turn down, she's drawn into a mystery that alters her life in ways she could never have imagined. Bursting with life and humor, Forest Dark is a profound, mesmerizing novel of metamorphosis and self-realization--of looking beyond all that is visible towards the infinite.